comingtothetree:

AMERICAN HORROR STORY: MURDER HOUSE, ASYLUM, COVEN, FREAK SHOW

(Source: frauleinmars, via sarahswife)

(Source: visionscore, via eyeprotein)

salesonfilm:

a very comprehensive list, divided into sub-categories & listed alphabetically w/links, of female film directors

tgreywolfe1:

Fantastic!
annerocious:


Oscar-Winning Django Unchained, by Quentin Tarantino.

Also, this is a good time to bring up that you don’t need to choreograph complex fight scenes on the page. They aren’t very interesting to read.

annerocious:

Oscar-Winning Django Unchained, by Quentin Tarantino.

Also, this is a good time to bring up that you don’t need to choreograph complex fight scenes on the page. They aren’t very interesting to read.

(Source: shitroughdrafts)

fuckyeahbehindthescenes:




Stanley Kubrick worked for several months with effects technicians to come up with a convincing effect for the floating pen in the shuttle sequence. After trying many different techniques, without success, Kubrick decided to simply use a pen that was taped to a sheet of glass and suspended in front of the camera. (x)

2001: A Space Odyssey (1968)

fuckyeahbehindthescenes:

Stanley Kubrick worked for several months with effects technicians to come up with a convincing effect for the floating pen in the shuttle sequence. After trying many different techniques, without success, Kubrick decided to simply use a pen that was taped to a sheet of glass and suspended in front of the camera. (x)
2001: A Space Odyssey (1968)

"As Rhett tells Scarlett in a key early scene, ‘You need kissing badly. That’s what’s wrong with you. You should be kissed, and often, and by someone who knows how.’ For ‘kissed,’ substitute the word you’re thinking of. Dialogue like that reaches something deep and fundamental in most people; it stirs their fantasies about being brought to sexual pleasure despite themselves." -Roger Ebert

(Source: phoebe-tonkin)

loveleighvivien:

oldhollywoodfantasy:

elizabethtaylormemes:

Again, not Elizabeth related, but hey, some Old Hollywood love!!! :D

oh my god

literally the best thing 

loveleighvivien:

oldhollywoodfantasy:

elizabethtaylormemes:

Again, not Elizabeth related, but hey, some Old Hollywood love!!! :D

oh my god

literally the best thing 

(via mizenscen)

coraleat:

John Watson discovers the Internet. 

thatcerealkiller:

ironically-awesome-sunglasses:

scifantasy:

yunafire:

scifantasy:

luckystrikesme:

am i the only one that thinks reservoir dogs is a homoerotic love story poorly disguised as an action/drama/thriller? 

Whatever

image

gave you

image

that idea?

image

;)

I have

image

no idea

image

what you’re

image

talking about.

image

It’s a complete

image and total image mystery. image

yeah

image

no clue where that could come from

image

NO I SHOWED UP LATE BUT WHATEVER HERE I AM

image

image

Can’t forget these two.

image

image

Idk bro.

image

(Source: twentyspookytitties)

thatcerealkiller:

scifantasy:

whereigotowander:

sydcymbaline:

So, in the end he was really her lover

omg never noticed this before

So, is this confirmation that he really does have an enormous cock?

:)))

image

Days of Future Past Concept Art by Mathieu Duchesne x

(Source: xavierstea)

kino-obscura:

EYES IN FILM: 2014 EDITION

"I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see." — Dziga Vertov


Left to right, top to bottom:

Man With a Movie Camera
 (Dziga Vertov, 1929)
Un Chien Andalou (Luis Buñuel, 1929)
Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943)
The Lost Weekend (Billy Wilder, 1945)
Spellbound (Alfred Hitchcock, 1945)
The Spiral Staircase (Robert Siodmak, 1945)
Sunset Boulevard (Billy Wilder, 1950)
Vertigo (Alfred Hitchcock, 1958)
Psycho (Alfred Hitchcock, 1960)
Peeping Tom
 (Michael Powell, 1960)
Goldfinger (Guy Hamilton, 1964)
Woman on the Dunes
 (Hiroshi Teshigahara, 1964)
Alphaville
 (Jean-Luc Godard, 1965)
Repulsion (Roman Polanski, 1965)
The Russians are Coming, The Russians are Coming (Norman Jewison, 1966)
2001: A Space Odyssey (Stanley Kubrick, 1968)
McCabe & Mrs. Miller (Robert Altman, 1971)
The Texas Chainsaw Massacre (Tobe Hooper, 1974)
Deep Red
 (Dario Argento, 1977)
Rubens
 (Roland Verhavert, 1977)
The Spy Who Loved Me (Lewis Gilbert, 1977)
All That Jazz (Bob Fosse, 1979)
Blade Runner
 (Ridley Scott, 1982)
Goodfellas
 (Martin Scorsese, 1990)
Bram Stoker’s Dracula (Francis Ford Coppola, 1992)
Hard Boiled (John Woo, 1992)
Cube (Vincenzo Natali, 1997)
Titanic
 (James Cameron, 1997)
Fear and Loathing in Las Vegas
 (Terry Gilliam, 1998)
Requiem for a Dream
 (Darren Aronofsky, 2000)
Donnie Darko (Richard Kelly, 2001)
Mulholland Drive
 (David Lynch, 2001)
Vanilla Sky
 (Cameron Crowe, 2001)
Gangs of New York
 (Martin Scorsese, 2002)
The Lord of the Rings: The Two Towers
 (Peter Jackson, 2002)
The Magdalene Sisters (Peter Mullan, 2002)
Minority Report (Steven Spielberg, 2002)
The Fountain
 (Darren Aronofsky, 2006)
The Diving Bell and the Butterfly
 (Julian Schnabel, 2007)
Hunger (Steve McQueen, 2008)
Splice
 (Vincenzo Natali, 2009)
Let Me In (Matt Reeves, 2010)
Hugo (Martin Scorsese, 2011)
Looper
 (Rian Johnson, 2012)
Prometheus (Ridley Scott, 2012)

(via salesonfilm)